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David James

916 Emerson Avenue

South Bend, IN 46615

574-276-7822

djames@tiompanalley.com     

            David JamesÕs musical and political activism dates back forty years. He was a draft counselor and draft resister from 1967-72, beginning as a student at University of Notre Dame (B.A. 1970) and continuing as a South Bend, Indiana resident. He sang with, and backed up, the legendary Phil Ochs at the Anti-Military Ball in Õ68 at Notre Dame. David sang for and marched with the freedom marchers in South Bend in the summer of 1968, when MilwaukeeÕs Father Groppi spoke on the South Bend courthouse steps; he was a member of the NAACP Youth Council. He sang with a group of four others for Bobby KennedyÕs 1968 appearance at Notre DameÕs Stepan Center. He was one of the ÒSouth Bend SevenÓ tried for antiwar activism during the Vietnam War era. He marched with Dick Gregory in Chicago in 1968 during the Democratic Convention, and participated in 1969 in the Washington Vietnam Moratorium march. His music (and sound gear) were seen regionally on behalf of civil rights groups, Central and South American democracy movements, the anti-Apartheid movement, the Great Peace March, womenÕs liberation, and many disarmament struggles. David performed all over Chicago and the Gary, IN, area with the activist music group Common People.

            David was a founding member in the 1980s of the South Bend chapter of WomenÕs International League for Peace and Freedom; he performed alone and with others at the first, and five following International WomenÕs Day Celebrations in South Bend. David has sung on many picket lines and rallies for locals of United Auto Workers (South Bend, Anderson, Kokomo, Elkhart), United Steel Workers (Gary, East Chicago, Chicago), American Federation of Teachers (Chicago) NEA South Bend, Teamsters, A.F.S.C.M.E., and P.A.T.C.O. (Chicago, South Bend, during the famous strike). He marched in Solidarity Day in Washington in 1981. He was musical director for the Miles Coiner play Sit-Down 36, and sang and played as a member of the cast for many performances, including a show for one of laborÕs great historical figures, Victor Reuther, and performances at the UAW Summer School at Black Lake, Michigan, and the South Bend Center for History. He registered over 400 voters in South Bend during the Õ84 and Õ88 elections, was an Indiana state convention delegate for Jesse Jackson. He knows all six verses of Solidarity Forever by heart.

            Many times in the Ô80s he performed, in New York City, Northern California, Texas, Illinois, and Indiana with the ÒLast of the Old-Time Black String Bands,Ó Martin, Bogan and Armstrong. He performed with regional Bluegrass bands and appeared during the Ô70s and Ô80s at the Indiana FiddlersÕ Gatherings.

            Recently he traveled to Indianapolis to perform the music and song for a pageant on the life of Mother Jones in front of a regional I.B.E.W. womenÕs convention.

            As a graduate student, he travelled with Prof. Monica Tetzlaff and eighteen undergraduates of Indiana University South Bend on a Freedom Summer Õ08 tour of the southern Civil Rights sites in Tennessee, Mississippi, Alabama and Georgia. While on the tour he sang with activists in Mississippi and Albany, Georgia, including three members of the original SNCC Freedom Singers, and marched with student activists over the Edmund Pettus Bridge, site of the 1965 Selma to Montgomery March.

            David is a Master Folk Fellowship recipient, 1990, from the Indiana Endowment for the Arts. He has been the subject of feature articles in Arts Indiana and Notre Dame magazines; he was included among the Hundred Fascinating People of the Century by the South Bend Tribune newspaper. He is 1986 U.S. National Champion and 1989, 1995, and 2002 All-Ireland Champion on the hammered dulcimer. He currently teaches and performs Irish and American dance and folk music, and is a masterÕs degree candidate at Indiana University South Bend, to graduate on May 12, 2009.

For much more—music resume, news clips, photos, sound samples, songs, tunes. Civil Rights resources, music instruction, see the rest of the Web site, http://www.tiompanalley.com.

         ÒJames's music is rich, complex, daring and innovative, yet springs from and is part of an old tradition, Irish and American. Not only a champion dulcimer player, but a jack-of-all-instruments, a singer, and an activist, James's life and work form an anthem to the ideal of Ômaking things right in the world.ÕÓ

Frances Sherwood, Arts Indiana, April 1988